This research and work explore the difficult histories spoken from the materials' perspective. The past that other beings hold is often slightly off from ours. They speak without sound organs. In this experiment, I applied tactility and becoming close as open suggestions to convey colonial dynamics. The Greyhounds, Stones, Rib Cage, and Crickets offer a sense of how to understand the ungraspable but tangible, softness and slipperiness of the world outside ours. The resonance of animals, humans, constructions, and the semantic world are together but dis-aligned. Intimacy can occur without unveiling their true nature. I hope this will postpone any hardening and defining, maintaining the status as unstable.
