Fragments of life, on fire and recovery

Ina Patsali

Keywords: Recovery, Fire-altered, Greece

ina.patsali@gmail.com

My research navigates through the charred landscapes of the fire-altered landscape in Evros, especially the village of Kirki, revealing a layered tale of the intricate connections between human lives, environmental fragility, and the wider socio-political backdrop. In the architectural canvas of the post-disaster village, a vision for renewal takes shape. The juxtaposition of scorched earth and potential rebirth mirrors the delicate balance required in post-disaster design.

There is a big line of houses waiting to be demolished after the wildfire. This project suggests the re-use of those houses into spaces where the local community can take part in the revitalization process of all those buildings left in a state of collapse and bring life back to the village.

One house will be the material library: all the salvaged materials and products in the ruins can first be collected and sorted, to be reused, time and again, closing the loop. Another house will be a communal garden; architecture can only act as an intermediary between the Kirki of the past and of the present and cannot do anything other than activate the healing process. Last one will be temporal shelter for the eco-tourism of the national forest, activating the local economy and getting the story of Kirki known.

Designing with the burned material will transform the houses into points of memory, underlining life's cyclical aspect and the potential for rejuvenation after the devastation.

Material Library
How do we recycle buildings?
How can we transform materials and give them a new life to help reduce waste?
By creating an initiative run by local craftsmen, all the materials in the ruins, as well as all over the area, can first be collected and sorted before ending up in a landfill. Registering and documenting the salvaged materials and products provides insight into how these resources could be reused, time and again, closing the loop. The material library becomes the first step to finding new spatial qualities of the transformed materials, altered by the fire.
Community Garden
How do we activate collective healing of the community and of nature?
Cultivating a small vegetable garden where a home previously stood, the residents can take part in the revitalization process of nature and of this building left in a state of collapse.Through my research, the importance of the cemetery for the residents of Kirki, acting as a sanctuary and a meaningful space, becomes evident.
Connecting the garden with the cemetery is forming a link between life and death, highlighting the circularity of life.Digging a canal between the two points will significantly reduce the chances of flooding that are high after a wildfire in many ways: guiding the excess water from rainfalls into a water reservoir, helping native vegetation grow, supporting the municipality’s plan to re-plant the area through water filtration and enhancing biodiversity, while creating a fire break.
The house is first covered with lightweight expanded clay aggregate as a draining layer and topped with fertile soil. Studying the sun needs of each local plant to thrive and the sun and shadow diagram per season, plants are categorized on low, medium and high sun exposure and placed accordingly, with some plants staying through seasons and some changing.
Placing expanded metal mesh on top of the canal also provides a pathway for the residents from the cemetery to the garden through nature. The canal leads on a circular observation pathway and ends with a water reservoir that can act as a natural pond for the community and for wildlife while also providing water to the garden through an underground pump.
Temporal Shelter
How do we re-enable the eco-tourism of the national forest?
How can architecture reactivate the local economy and getting the story of Kirki known?
Kirki is in the middle of many outdoors activities.Yet, the closest accommodation options are not close to the village. Reusing a ruin next to Kirki’s train station as temporal shelter for the eco-tourism of the national forest can accommodate the hikers and nature lovers of the national forest. Looking at the material library, the shell is reinforced with burned wood and the rooms are divided with scaffolding netting, this time referencing to domesticity.
The broken roof is reconstructed using salvaged pieces of plexiglass, wood and existing stones and bricks. This way, the roof from the inside becomes a showcase of the reused materials while allowing more sunlight inside. On the outside, the house is covered with grinded burned matter that turned into paint. The charcoal pigment aims to translate memory through color, texture and smell. The house becomes an intersection of the past, the moment of the fire and the future, maintaining the story of Kirki.