Nezhla Imanzadeh

Consider a joke not as a source of laughter, but as a perpetual crisis: An ecosystem of complicity where we are inseparable from the setup.

Operating at the unfortunate intersection where humour, art, politics, theology, and conspiracy co-opt one another, these two works examine the erosion of meaning. Through an in-situ installation and an open table-read of a script, they deploy linguistic jargon and bureaucratic rhetoric to explore how collective belief builds and subsequently annihilates consensus reality.