To taste a bittersweet history

As someone who grew up in Sri Lanka and lives in the Netherlands today, I am intrigued by how differently the Dutch-Sri Lankan colonial history is remembered; the history is absent from mainstream narratives on the Dutch colonial empire, while in Sri Lanka this period is associated with bittersweet nostalgia. 

The Dutch East India Company (VOC) colonised Sri Lanka between 1658 and 1796. In their efforts to secure a monopoly on the cinnamon trade they transformed the landscape and culture of Sri Lanka, leaving traces visible today. I use the historical importance of cinnamon as a point of departure, to generate a critical dialogue that unpacks some of the forgotten stories and violent histories from this period. 

‘To taste a bittersweet history’ is an ongoing project that brings together collective and personal memory to offer new ways of engaging with a complex and nuanced history and explores how visual media can be used to address colonial legacies.

The mixed-media installation uses images, video and sensorial elements of smell and taste to trigger memories and initiate a conversation. It invites audiences to sit down for tea and use the space to reflect on questions that must be addressed today to ensure that we acknowledge and confront our history in a way that our future no longer resembles our past.

Site-specific installation at the Graduation Show 2024, which included: digital collages silkscreen printed on textile x 4 and a single-channel video (7 minutes).
Mural painting showing bales of cinnamon alongside a cinnamon tree in Balapitiya, Sri Lanka (2024).
Effects of peeling on the bark of Cinnamon verum tree photographed in Colombo, Sri Lanka (2024).
A young Ceylon cinnamon tree (Cinnamomum verum) photographed in Colombo, Sri Lanka (2024).
Stacked cinnamon branches in Balapitiya, Sri Lanka (2024).
Digital Collage ‘Wolvendaal Church’ - this collage is a composite made using an archival image of the church from 1977 sourced from the Wereldmuseum Amsterdam’s archival collection along with an image I made of the church in 2024 and the Dutch coat of arms for Colombo featured in the Dutch VOC coat of arms for Ceylon drawn by an unknown artist for the report on the circuit tour of Governor I.A. Rumph (1717) sourced from the Rijksmuseum archive.
Digital Collage ‘Cinnamon Gardens’ made using an archival image of cinnamon gardens in Colombo, once a thriving cinnamon plantation, as the backdrop. In the centre I have layered a cutout from acolonial-era statue that still stands outside the Grand Orient Hotel in Colombo today depicting a woman carrying a (white, European)man. To the far right I have added a cutout of a Dutch house in cinnamon gardens from the book ‘Ceylonese Sketches’ by Sri LankanDutch-Burgher artist, J.L.K. van Dort made in 1883.