460 is a series of collages that combines objects, photographs, and drawings into a visual diary characterized by significant empty space. These artworks feature ghostly figures and recognizable elements set within expansive, open areas, creating an atmosphere of personal yet ambiguous memory.
The images used are sourced from Minne's personal archive but are not meant to be autobiographical. Instead, they evoke the ambiance of a post-war apartment, a space that now faces its own challenges in the modern urban landscape.
The collages are intentionally ambiguous, inviting viewers to consider how the fragments of people and objects that once occupied these spaces resonate with our present.
