Revenge fantasies function under a strange temporal duplex of simultaneous urgency and toiling. Demanded is both the perpetual obsession towards what was lost and an emergent need to get it back. 'All of mom's boyfriends' materialises this dichotomy.
Seen are optical and architectonic motifs of gothic cathedrals, chemical laboratories, camp sensibilities and protest barricades, all chronicling allegiance, psyche, witness, and time.
This artillery took years to crystallise, and the scope of such devotion should be interrogated.
Rarity; am I a fan?